3 Tips For Low-Light, Winter Photography

Top Tips For Low-Light Photography_ General Tips and Tricks

Winter has finally arrived and brought a very dreary light with it. This can make it incredibly difficult to shoot bright indoor photos. That’s why I’ve put together my top three tips for low-light photography, in hopes of helping you get those perfect photographs.


Ah, winter, that time of year with dreary, blue-tinged low-light. Perfect if blue-tinged dim things are your favourite to photograph, even better if they’re your ~aesthetic~, but that’s not the case for all of us.

If you’ve found yourself upping that brightness slider on your favourite editing app just a little too much or tinting your photos orange to beat those winter blues, I have a few tips and tricks.

Just because it’s the dead of winter, doesn’t mean your photography time should decrease. If you’re constantly posting on Instagram to engage with your followers and grow your account, a reduced amount of photography time can be a real pain.

Since the beginning of winter a few weeks ago, I’ve been trawling the internet for tips and tricks to beat that cold, dim winter light. Now, it’s time to share what I’ve learnt (I’ll do my best to be correct, but I might be wrong about a few things, forgive me, I’m no professional).

General Tips for Low Light Photography


Shooting the Sun

As a general rule in photography, middle of the day, sun high in the sky, isn’t the best time to take photos, nor is the night.

You want to make the most of natural light as possible, so try to figure out what time of day has the kindest lighting. For me, it’s between 2 and 3pm.

An inconvenient time, I’ll have you know.

If you’re unable to shoot at those times of day due to work or school, I’d recommend taking a bunch of photos when you can like weekends, or your day off to make sure you have enough photos to take for the week.

If there is no possible time when the sun (although hidden by a thick layer of clouds) brightens up the day enough to call it daylight, it might be an idea to invest in some lighting if you’re super serious about photography.

Investing in lighting is by no means my first suggestion, it’s what I’d recommend if you’ve exhausted every single other option. I personally have no experience using artificial light to shoot it, all I know is that it’s not the best idea to use the lights in your ceiling as your main source of brightness.

Using a window

The window is generally the best source of natural light inside of a house.

Shoot there.

Even if the window is in an inconvenient place, like nowhere near your bed and you want a flat lay on a sheet, take the sheet to the window, and arrange your set up there.

The results will be worth the hassle.

Often an issue with windows is that the light only comes in on the one side of the photograph (the window side), and the opposite side is darker, and overall the lighting looks uneven. I’ve seen a lot of people recommend reflectors to combat this, but I’ve never personally used one.

If uneven lighting is a real issue for you, hop on over to Pinterest or Google and see what others are recommending.

Avoid Blue

This one will come up in the fourth and final post in this series, but I felt it worthwhile mentioning here.

Wintry light can often give photos a deep blue tinge, or a cold feel.

If you really want to edit that out in the editing phase, it’s a wise idea to steer clear of shooting blue objects.

Not only with they exacerbate the cold tones, but they’ll also lose their colour when you reduce the blue in editing. Having said this specifically about blue, I do think it’s important to be mindful of the tones that you include in.

The colours will greatly affect the way your photo turns out, so it’s important to carefully select the colours of the objects you’re including in your shot.

If you’d like to read my low-light photography tips using a DSLR or mirrorless camera, you can find that here.

What are your favourite little low-light photography tips and tricks? Let me know in the comments below!

Mikaela is an illustrator, and writer based in QLD, Australia. She's been writing novels for eleven years and editing for six. You can often find her with a coffee by the beach, pondering existentialism and the psychology of writing. She has a Bachelor of Biomedical Science and takes pride in her paradoxical nature. She's also very much like a cat.

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